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Apocalypse in the Tropics

Petra Costa | Documentary | 110’ | color | 35mm/DCP | Brazil | 2024
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Logo da Netflix em letras vermelhas e pretas

The Edge of Democracy

Petra Costa | Documentary | 121' | color | Brazil | 2019
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Ecstasy

Moara Passoni | Fiction | 75’ | color | 35mm/DCP | Brazil | 2020
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Olmo and the Seagull

Petra Costa & Lea Glob | Documentary | 87’ | color | 35mm/DCP | Denmark, Brazil, Portugal, France, Sweden | 2024
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Elena

Petra Costa | Documentary | 82’ | color | 35mm/DCP | Brazil | 2012
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Undertow Eyes

Petra Costa | Short-film | 20’ | color | 35mm/DCP | Brazil | 2009

At Busca Vida, memory and history are intertwined territories. Memory pulses through the past; life asserts itself in the present. Cinema unfolds in the space between.

Close-up de dois olhos humanos
Recém-nascido e uma mulher, possivelmente a mãe, dormindo juntos, deitados de lado, com os olhos fechados, em uma cama com colcha amarelada com bolinhas brancas.
Fotografia de duas pessoas em formato de retrato, uma com cabelo escuro ondulado e outra com cabelo escuro liso. Ambos segurando placas com os números 1442 e 1087, respectivamente.
Imagem de uma luz branca brilhante em um fundo escuro
Imagem de um objeto redondo, branco e brilhante, em um fundo escuro.
Foto de uma luz brilhante e difusa contra um fundo preto escuro.

Our films emerge precisely from this encounter — when individual trauma finds a voice and breaks imposed silences; when love becomes a political act in the face of polarization and hate; when the feminine gaze unsettles crystallized perspectives shaped by patriarchal and colonial worldviews.

It is in this threshold — this space-between — that we choose to act: where remembering is an act of resistance, and storytelling becomes a way of reimagining the world.

Petra Costa

Petra is the creative force that shaped the ethical and aesthetic identity of Busca Vida. Her films — deeply personal and historically grounded — gave the company a singular voice in contemporary cinema. From its inception, the work of Busca Vida has been marked by three foundational forces: trauma as a rupture that reconfigures memory; love as an ethical stance that resists the logic of hate; and the feminine as a way of seeing and narrating the world with depth and complexity.

Productions

Co-productions